G A R R E T T O became famous. French, English and Ameri can periodicals competed eagerly for his work. He became a permanent contributor to the greatest Publishing firms, and his delightful sketches animate the pages ofthe best European and oversea papers. At the same time and with the same temp- erament he is a master of the art of the poster, and works principally in this sphere. But this unusually active and enthusiastic artist has even more longings and ideals. He would like to paint portraits. He has a passionate longing to work for the films. But he does not know yet where is to find the time to do all these things. In addition to his great work which entails so many responsibilities, he is the delighted father of his little son Ezio, and this boy of three claims at least as much of Garretto’s attention as a dozen publishers. The artist Garretto sees living people and dead things with the same uncanny clear- ness. He sees through them—but beyond them. And the beholder is compelled to laugh—the healthiest philosophy that a genuine artist can provide. VAN IT m STAGE !' i!' 7 THH TÄTT0ÖED MAN HG«**** it .*»< , r « J5 ciMrs,^ v >-f *" Zeitschriftenumschläge Magazine covers