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A history of lace
- Titel
- A history of lace
- Autor
- Palliser, Fanny
- Verleger
- Marston
- Searle
- Low
- Erscheinungsort
- London
- Erscheinungsdatum
- 1875
- Umfang
- X, 454 S.
- Sprache
- English
- Signatur
- 75/4694
- Vorlage
- Westsächsische Hochschule Zwickau
- Digitalisat
- SLUB Dresden
- Lizenz-/Rechtehinweis
- CC BY-SA 4.0
- URN
- urn:nbn:de:bsz:14-db-id4470176161
- PURL
- http://digital.slub-dresden.de/id447017616
- OAI-Identifier
- oai:de:slub-dresden:db:id-447017616
- SLUB-Katalog (PPN)
- 447017616
- Sammlungen
- Bestände der Westsächsischen Hochschule Zwickau
- Design
- Historische textiltechnische Fachliteratur
- Ausgabe
- 3. ed.
- Strukturtyp
- Monographie
- Parlamentsperiode
- -
- Wahlperiode
- -
- Titel
- Chapter XXIII. Queen Elizabeth
- Digitalisat
- SLUB Dresden
- Strukturtyp
- Kapitel
- Parlamentsperiode
- -
- Wahlperiode
- -
Inhaltsverzeichnis
- MonographieA history of lace -
- EinbandEinband -
- AbbildungBarbara Uttmann, who introduced the lace manufacture into the ... -
- TitelblattTitelblatt III
- KapitelPreface V
- KapitelChapter I. Needlework 1
- KapitelChapter II. Cutwork 10
- KapitelChapter III. Lace 21
- KapitelChapter IV. Italy 34
- KapitelChapter V. Greece 65
- KapitelChapter VI. Spain 71
- KapitelChapter VII. Flanders 86
- KapitelChapter VIII. France To Louis XIV. 114
- KapitelChapter IX. Louis XIV. 124
- KapitelChapter X. Louis XIV. (continued) 131
- KapitelChapter XI. Louis XV. 142
- KapitelChapter XII. Louis XVI. To the Empire 150
- KapitelChapter XIII. The Lace Manufactures Of France 158
- KapitelChapter XIV. Argentan 173
- KapitelChapter XV. Isle De France. - Paris 180
- KapitelChapter XVI. Normandy 186
- KapitelChapter XVII. Valenciennes 197
- KapitelChapter XVIII. Auvergne And Vélay 211
- KapitelChapter XIX. Limousin 218
- KapitelChapter XX. Holland, Germany, And Switzerland 225
- KapitelChapter XXI. Denmark, Sweden, And Russia 238
- KapitelChapter XXII. England To Queen Elizabeth 251
- KapitelChapter XXIII. Queen Elizabeth 264
- KapitelChapter XXIV. James I. To The Restoration 280
- KapitelChapter XXV. Charles II. To The House Of Hanover 299
- KapitelChapter XXVI. George I. And II. 314
- KapitelChapter XXVII. Smuggling 320
- KapitelChapter XXVIII. George III. 325
- KapitelChapter XXIX. The Lack Manufactures Of England 332
- KapitelChapter XXX. Bedfordshire, Bucklinghamshire, And Northamptonshire 336
- KapitelChapter XXXI. Wiltshire And Dorsetshire 351
- KapitelChapter XXXII. Devonshire 355
- KapitelChapter XXXIII. Scotland 370
- KapitelChapter XXXIV. Lace Manufactures Of Scotland 381
- KapitelChapter XXXV. Ireland 388
- KapitelChapter XXXVI. Bobbin-Net And Machine-Made Lace 395
- KapitelAppendix 405
- RegisterIndex 445
- EinbandEinband -
- Titel
- A history of lace
- Autor
- Links
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QUEEN ELIZABETH. 275 all over with purle,” 62 and in one case the sleeves are offered un made, with “ a piece of purle upon a paper to edge them.” 63 It was yet an article of great value and worthy almost of entail, for, in 1573, Elizabeth Sedgwicke, of Wathrape, widow, bequeaths to her daughter, Lassells, of Walbron, “ an edge of perlle for a remembrance, desirying her to give it to one of her daughters. We now turn, before quitting the sixteenth century, to that most portentous of all fabrications, on which, breathless with awe, we have gazed in our childhood, before the waxwork figure of the Tower—Queen Elizabeth’s ruff. In the time of the Plantagenets, Flemish tastes prevailed. With the Tudors, Katherine of Aragon, on her marriage with Prince Arthur, introduced the Spanish fashions, and the inventories from Henry VIII. downwards are filled with Spanish work, Spanish stitch, and so forth. Queen Elizabeth leant to the French and Italian modes, and during the Stuarts they were universally adopted. The ruff was first introduced into England about the reign of Philip and Mary. These sovereigns are both represented on the great seal of England with small ruffs about their necks, and with diminutive ones of the same form encircling the wrist. 65 This Spanish ruff was not ornamented with lace. On the acces sion of Queen Elizabeth the ruff had increased to a large size, as we see portrayed on her great seal. The art of starching, though known to the manufacturers of Flanders, did not reach England until 1564, when the queen first set up a coach. Her coachman, named Gwyllam Boenen, was a Dutchman; his wife understood the art of starching, a secret she seems exclusively to have possessed, and of which the queen availed herself until the arrival, some time after, of Madame Dinglien van der Plasse, who, with her her husband, came from Flanders “ for their better safeties,” 66 and set up as a clear-starcher in London. 82 New Year’s Gift of Lady Kadeliffe, 1561. 63 New Year’s Gift of Lady St. Law- rence. 64 “ Surtees Wills and Inv.” “Though the luxury of the court was excessive, the nation at large were frugal in their habits. Our Argentine of Dorset was called ‘ Ar gentine the Golden,’ in consequence of his buckles, tags, and laces being of gold. Such an extravagance being looked 011 as a marvel in the remote hamlets of the southern counties.” 65 Jlence ruffles, diminutive of ruffs. “ Ruff cuffs ” they are called in the G. W- A. of James I. 11 & 12. 6® Stowe’s “ Chron.” T 2
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