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A history of lace
- Titel
- A history of lace
- Autor
- Palliser, Fanny
- Verleger
- Marston
- Searle
- Low
- Erscheinungsort
- London
- Erscheinungsdatum
- 1875
- Umfang
- X, 454 S.
- Sprache
- English
- Signatur
- 75/4694
- Vorlage
- Westsächsische Hochschule Zwickau
- Digitalisat
- SLUB Dresden
- Lizenz-/Rechtehinweis
- CC BY-SA 4.0
- URN
- urn:nbn:de:bsz:14-db-id4470176161
- PURL
- http://digital.slub-dresden.de/id447017616
- OAI-Identifier
- oai:de:slub-dresden:db:id-447017616
- SLUB-Katalog (PPN)
- 447017616
- Sammlungen
- Bestände der Westsächsischen Hochschule Zwickau
- Design
- Historische textiltechnische Fachliteratur
- Ausgabe
- 3. ed.
- Strukturtyp
- Monographie
- Parlamentsperiode
- -
- Wahlperiode
- -
- Titel
- Chapter XXVIII. George III.
- Digitalisat
- SLUB Dresden
- Strukturtyp
- Kapitel
- Parlamentsperiode
- -
- Wahlperiode
- -
Inhaltsverzeichnis
- MonographieA history of lace -
- EinbandEinband -
- AbbildungBarbara Uttmann, who introduced the lace manufacture into the ... -
- TitelblattTitelblatt III
- KapitelPreface V
- KapitelChapter I. Needlework 1
- KapitelChapter II. Cutwork 10
- KapitelChapter III. Lace 21
- KapitelChapter IV. Italy 34
- KapitelChapter V. Greece 65
- KapitelChapter VI. Spain 71
- KapitelChapter VII. Flanders 86
- KapitelChapter VIII. France To Louis XIV. 114
- KapitelChapter IX. Louis XIV. 124
- KapitelChapter X. Louis XIV. (continued) 131
- KapitelChapter XI. Louis XV. 142
- KapitelChapter XII. Louis XVI. To the Empire 150
- KapitelChapter XIII. The Lace Manufactures Of France 158
- KapitelChapter XIV. Argentan 173
- KapitelChapter XV. Isle De France. - Paris 180
- KapitelChapter XVI. Normandy 186
- KapitelChapter XVII. Valenciennes 197
- KapitelChapter XVIII. Auvergne And Vélay 211
- KapitelChapter XIX. Limousin 218
- KapitelChapter XX. Holland, Germany, And Switzerland 225
- KapitelChapter XXI. Denmark, Sweden, And Russia 238
- KapitelChapter XXII. England To Queen Elizabeth 251
- KapitelChapter XXIII. Queen Elizabeth 264
- KapitelChapter XXIV. James I. To The Restoration 280
- KapitelChapter XXV. Charles II. To The House Of Hanover 299
- KapitelChapter XXVI. George I. And II. 314
- KapitelChapter XXVII. Smuggling 320
- KapitelChapter XXVIII. George III. 325
- KapitelChapter XXIX. The Lack Manufactures Of England 332
- KapitelChapter XXX. Bedfordshire, Bucklinghamshire, And Northamptonshire 336
- KapitelChapter XXXI. Wiltshire And Dorsetshire 351
- KapitelChapter XXXII. Devonshire 355
- KapitelChapter XXXIII. Scotland 370
- KapitelChapter XXXIV. Lace Manufactures Of Scotland 381
- KapitelChapter XXXV. Ireland 388
- KapitelChapter XXXVI. Bobbin-Net And Machine-Made Lace 395
- KapitelAppendix 405
- RegisterIndex 445
- EinbandEinband -
- Titel
- A history of lace
- Autor
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326 HISTORY OP LACE. pointers or his horses. We read in the journals of the time how on the day after Lord George Gordon’s riots, a report ran through London that the Earl of Effingham, having joined the rioters, had been mortally wounded, and his body thrown into the Thames. He had been recognised, folks declared, by his point lace ruffles. 4 M 1 '- Hamer, less known than his wife, the talented sculptor and friend of Horace Walpole, appeared three times a day in a new suit, and at his death 5 left a wardrobe which sold for 15,OOU/. 6 Well might have been said of him— “ We sacrifice to dress, till household joys And comforts cease. Dress drains our cellars dry, And keeps our larder bare ; puts out our fires, And introduces huDger, frost, and woe, Where peace and hospitality might reign.” 7 There was “no difference between the nobleman and city prentice, except that the latter was sometimes the greater beau,” writes the “ Female Spectator.” 8 “ His hands must be covered with fine Brussels lace.” s Our painters of the last century loved to adorn their portraits with the finest productions of Venice and Flanders; modern artists consider such decorations as far too much trouble. “Over the chimney-piece,” writes one of the essayists, describing a citizen’s country box, “was my friend’s portrait, which was drawn bolt upright in a full-bottomed periwig, a laced cravat, with the frino-ed ends appearing through the button-hole (Steinkirk fashion). Indeed, one would almost wonder how and where people managed to afford so rich a selection of laces in their days, did it not call to mind the demand of the Vicaress of Wakefield ‘ to have as many pearls and diamonds put into her picture as could be given for the money.’ ” liuffles were equally worn by the ladies : — 10 “ Frizzle your elbows with ruffles sixteen : Furl off your lawn apron with flounces in rows.” 11 * He had retired to the country to be estimated at the same sum. out of the way. 7 Cowper. 5 August 1776. 8 1757. 6 The wardrobe of George IV. was » “ Monsieur a la Mode,” 1753. 10 “ Let of ruffles many a row Guard your elbows white as snow.” The Belle, 1755. “ Gone to a lady of distinction with a Brussels head and ruffles.” The Fool of Quality, 1766. 11 “Receipt for Modern Dress,” 1753,
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