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The Daily record and the Dresden daily : 13.03.1906
- Erscheinungsdatum
- 1906-03-13
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- Jahr1906
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m 33. THE DRESDEN DAILY, Tuesday, March 13, 1906. c® m Bassenge & Co. 12, Prager Str. Bank. s on all Letters of Credit 12, Prager Str. Exchange of Clreular-Notes, Cheques and foreign money at most favourable rates. Postal Orders. English and American newspapers. Office hours 9—1, 3—6, Saturdays 9—3. ROYAL OPERA HOUSE. I RESIDEYZ THEATRE. This evening, beginning at 7, ending S.45 VI. SYMPHONY CONCERT (SERIE A). 1) Symphony (No. 4, F-minor). . Peter Tscliaikowsky. 2) Overture “Richard III.” . . . Robert Volkmann. (For the first time.) 3) Symphony (Nr. 5, C-minor) . Ludwig van Beethoven. To-morrow, Wednesday, closed. ROYAL THEATRE NEUSTADT. This evening, beginning at 7.30, ending 10 PRINZ FRIEDRICH VON HOMBITRO. Comedy m five Acts by Heinrich von Kleist. Cast: Friedrich Wilhelm, Kurfurst von Brandenburg Herr Winds. Die Kurfurstm Frau y 0 i g t-Aly. Pnnzessin Natalie von Oranien, Nichte des Kurfursten, Chef eines Drago- nerregiments Feldmarschall Dorfling Prinz Friedrich Arthur von Homburg, General der Reiterei Obrist Kottwitz, vom Regiment der Prinzessin von Oranien Hennings, 1 Obersten der Infan- /Herr P.~Nei Graf Trucks, / terie /Herr Busse. Graf Hohenzollern, von der Suite des Ritt!irfw Sten v : Herr Blankenstein. Rittmeister von der Golz Herr Dettmer. Kittmeister Stranz Herr Fvpvth Graf Georg von Sparren,) /Herr Gebiihr. Siegfried von Morner, ) Rittmeister {Herr Bauer. Grat Reuss, J [Herr Gunz. Ein Stabsoffizier von der Infanterie Herr Helsing Lrster \ Offizier vom Regiment /Herr Leichert. Zweiter / Oranien /Herr Rene. g m Hofkavaher Herr Huff. Holtraulem von Bork Frau Firle Hoffraidein von Winterfeld Fraul. Schneider. Lin Wachtmeister Herr Hohner. Prittwitz, em Page Fraul. Leder. a T ^fr U ?. r Herr Walther. em Weib Frau Woitsch. Heiducken /Herr Olbrich. p- r,. , ’ (Herr H. Neumann. 5 l ®? er des Pnnzen Herr Jiichtzer. n Reiter Herr Ricken. This evening at 7.30 Gastspiel des Deutschen Theaters in Berlin: ERDUEIST. Tragedy in four Acts by Frank Wedekind. Cast: Si’’ ar Guido Herzfeld. ?iwo i'T- Albert Steinriick. Mellon Hans Wassmann. Prfn'^TTo' '. Ed. v. Winterstein. Prinz Escerny Heinrich Marlow. Sclngolch . Hans Pagay. Rodrigo, Artist Richard Leopold. Hugenberg, Gymnasiast Else Kupfer. Eschericli Victor Arnold. £ u . la • w • •. • Gertrud Eysoldt. § ra ?- U Geschwitz Elisabeth Huch. Ferdinand 0 scar Sabo. Hennette . M aja Sering. To-morrow, Wednesday, at 7.30 Gastspiel des Recitators Herrn Fritz Haentzseliel. ROYAL OPERA. CONCERTS. The solo singer at the American Curch on Sun day evening was Miss Wheeler, from San Francisco, who is studying singing here under Frau Auer Her voice is a true contralto, of grand volume. But the “grandeur” spoken of in another column was less that of the voice than of the conception of the subject and the delivery of the profoundly touching text. Technically, the beauty of the rendering will increase, no doubt, with the develop ment and mastery of the organ, but essentially the performance was a very fine one, and truly great. Mr. Williams’ accompaniment supplied a worthy ranie to the tone-picture.-^His registering and playing of Mendelssohn’s Second Organ Sonata— “Grave, adagio. Allegro maestoso. Fugue” and of Mailing’s “Christ stilleth the tempest” made as usual very delightful music; and showed what a beautiful and suitable instrument the church possesses. ^ On Saturday evening at the Musenhaus Cally Monrad, a Norwegian Lady, appeared for the first time in Dresden, and made a very favourable impression on a numerous audience. She was assisted Every seat in the house was sold again tor the | fer,? NiSBe "’ “ accom P anist an d Piano- I second performance of “La Boheme” last Saturday ^ u Fraul. Politz. This is, however, no cause for wonder for desDite Eull y equipped by nature and training for her Herr Eesrerth. I the slightness of the plot founded on Murger’s * 8 Sin ^ er ’ tbe lad y is a most intelligent, “Sugar K candy pastorals^-as ^VllebrTtefXer1 ^iT** ^ “‘ e ^ (was it George Moore?) called Vie de Boheme- deen y ’«°£ “ tha * a PP eal t0 the tenderness of the music and the excellence of “Waldeseef D rach” or^ 1 f cb “ manI ; » “Widmung” and the representation here would go far to account r>- alaes S es P l ach , or R. Strauss “Traum durch die for such popularity. Nevertheless, the mZ to! I ? a ””? run8 . and . ,“ Ich liaba diab ”. She excels as a Herr Eggerth. Herr Wiecke. Herr Muller. Neumann. portant factor is undoubtedly Frau Nast’s great I US *!! g . with un erring judgment and taste, personal charm in the role of Mimi^^ adorable \ u *** abu f^. straining or forcing, a voice but alas! consumptive heroine. Tt.would ha r-ooiiTr I , U ’ s ymP at hetic quality and much beauty of never abusing by straining or forcing, a voice consumptive heroine. It would be really I 'timbre ^ mU ° h beaut y of impossible to do justice to this artist without being a lapSe from tempted into terms that might seem exaggerated ■! i + t .? n that w °uld veil or mar and fantastic. The refined pallor of her rnake-up h purity of tone: while, although the poetic and with its faint flush, hectic, premonitory Ts quite S k Str ° Dg> itS ex P ressi ™ is kept perfect in its way, though of course a minor thing when all the^ssenF 1“ a ““P^. of st y le compared with thnt nn«u _.i I wmcn » wnen all the essentials of art are adequately compared with that pure, ravishing voice, whose faultless tones delight even the ignorant and send connoisseurs into a simple ecstasy of appreciation. As for her acting, in this role at any rate, it is no whit bqlow the level of her singing. To be sure the part is not one that calls for much passion or subtlety, but there is an ease, a grace in Ft»Q11 \Tocd->« 4 J. - _<» • 1 Ji . 1 . - _ _ met, has the greatest charm and merit, because it allows all else to be fully enjoyed. The singer won great applause for the four Schumann and Strauss songs named, which formed the last part of the programme : but those that distinguished her as an artist of special gifts were three Norwegian songs 4 4 r* * * ~ 1. i -i~k . _ o To-morrow, Wednesday, closed. REPERTOIRE OF THE ROYAL THEATRES FOR THE WEEK. OPERA HOUSE. Thursday: Friday : Saturday: Undine. 7.30 p.m. Der Evangelimann. 7.30 p. in. Salome. 7.30 p.m. Sunday, March 18th :Rienzi. 7 p.m. Monday, March 19th: Das Nachtlager von Granada. 7.30 p.m. SCHAUSPIELHAUS. Der Biberpelz. 7.30 p.m. Der Privatdozent. 7.30 p. m „ Der Biberpelz. 7.30 p.m. Sunday, March, 18th: Herodes und Marianne. 7.30 p. m. Monday, March, 19th: Gespenster. 7.30 p.m. Thursday: Friday: Saturday: Frau Nast’s’treatment of it that shows considerable Lie-^Sfif^af^SiTq 01 ”' R °v t0 mUSi ° by Sigul ‘ d reserve power and proves her adequate to much FrSdin^ lini v ! hlBpen j lg of rushes ). more difficult and ambitious roles. The final secret ifr. felbelm s notes; and “Flickan kom of Frau Nast’s spell, however, lies^in somethTng^ ^ m8te ”’ also ai Sibelius composition beyond mere excellence in the arts of singing and lemi as by Runeberg. All these were acting. As in the case of most popular artists^t Et' 8 by b ,° th singer and accom ' is personality, the riddle, the inexplicable that ut , the showill g of their characteristic enslaves hearts and enchains imaginations: the in- r ^finem^TAdth^SrR 9 hght ***** the e3Sy explicable, and who would be so foolish as to try mVch thT n 1 ‘ Was acc omplished spoke and explain it away even if they could foi the ljnc capacity as well as the musical In Fraulein von der Osten weLe an artist ivhose very remarkable and well deserved success is due «Si.p” J a adm ;r able a ccompanist. In to the fascination of a different kind ef tempera! sorad Z the' the fl a “°"'P a ” i '“ a W was ment. Whatever she does is found to be interesting ’ f • sound like the gentle, musical splash of for hers is the strong will and^ force of characto *„?„ ra,n -f°P s nearly but not quite together that can rivet an audience in spite of itself, and and HuSd“bnt’mft’fnd and ,. harm , onic > usl y. clear even make a success out of a poor part She is 1 • j f m ? resoundmg; the effect being especially good as the wilful, hCtC coquette! Tmtha! dteurtd n^^h “'k " ,el ° d /, f '° WS °” iS such as Carmen, aud of course Musette is a similar’ I ^ ??. d __ b ~! cen Undulation s- « wa, character m a much quieter key. B^t that she can similar | beautifully done by Herr Nissen;“ andTontribute^ be equally demure and amiable in a light-hearted manner was shown by her excellent performance in “Fledermaus” the other day. A. J. R. H. 4c On account of Frau Salbach’s indisposition “Don Carlos” cannot be given today; Herr Wiecke will play the title role in Homburg” instead. + ‘Prinz Friedrich von REPERTOIRE FOR THE RESIDENZ THEATRE. nZ? e£ ? ay ’ m March 13 th (Ensemble Gastspiel des An announcement is made in the Berlin Papers eutschen Theaters in Berlin) “Erdgeist” at 7.30. that the members of the Moscow “Kiinstlerische eanesday, March 14 th being Busstag there is no Theater” intend to give three performances in the 7^fn ’ Mr - Emil Haentzschel gives recitations at Dresden Schauspielhaus on March 27, 28 and 29 7*0 Tmifsday, March 15th “Der Obersteiger” at The plays chosen are: “Zar Feodor Ivanovitsch” JU. Friday, March 16th “Nanon” (operette) at by Tolstoi, “Onkel Wanja” by Anton Tschechow at 7 qo Urday> March 17th “Der Weg zur Holle” and “Nachtasyl” by Maxim Gorki. On leaving • 33, ' Dresden the Russian company will go to Prague, greatly to 4:he perfect success of the joint perfor mance. Herr Nissen also played two sets of solos. He should keep to the role of the poet at the key board, a part in which he is proficient. Chopin Etude, op. 25 No. 5, and Grieg (Ballade, in Form Variationen) suited him well. s von The Dresdner Musikschule, Neumarkt. A quite sur prisingly good display of elementary art in music was given at the Musenhaus on Sunday morning by pupils of Director Schneider, Herr Edgar de Glimes, Professor Dr. Muller, and Hofkonzertmeister Lewmger. We refer particularly to the concerted pieces; which were models of strictly classic style, of exact precision, and intelligent mutual support; while tone, execution, and expression were in all cases unusually good. In a Beethoven Trio-
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