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A history of lace
- Titel
- A history of lace
- Autor
- Palliser, Fanny
- Verleger
- Marston
- Searle
- Low
- Erscheinungsort
- London
- Erscheinungsdatum
- 1875
- Umfang
- X, 454 S.
- Sprache
- Englisch
- Signatur
- 75/4694
- Vorlage
- Westsächsische Hochschule Zwickau
- Digitalisat
- SLUB Dresden
- Lizenz-/Rechtehinweis
- CC BY-SA 4.0
- URN
- urn:nbn:de:bsz:14-db-id4470176161
- PURL
- http://digital.slub-dresden.de/id447017616
- OAI-Identifier
- oai:de:slub-dresden:db:id-447017616
- SLUB-Katalog (PPN)
- 447017616
- Sammlungen
- Bestände der Westsächsischen Hochschule Zwickau
- Design
- Historische textiltechnische Fachliteratur
- Ausgabe
- 3. ed.
- Strukturtyp
- Monographie
- Parlamentsperiode
- -
- Wahlperiode
- -
- Titel
- Chapter VII. Flanders
- Digitalisat
- SLUB Dresden
- Strukturtyp
- Kapitel
- Parlamentsperiode
- -
- Wahlperiode
- -
Inhaltsverzeichnis
- MonographieA history of lace -
- EinbandEinband -
- AbbildungBarbara Uttmann, who introduced the lace manufacture into the ... -
- TitelblattTitelblatt III
- KapitelPreface V
- KapitelChapter I. Needlework 1
- KapitelChapter II. Cutwork 10
- KapitelChapter III. Lace 21
- KapitelChapter IV. Italy 34
- KapitelChapter V. Greece 65
- KapitelChapter VI. Spain 71
- KapitelChapter VII. Flanders 86
- KapitelChapter VIII. France To Louis XIV. 114
- KapitelChapter IX. Louis XIV. 124
- KapitelChapter X. Louis XIV. (continued) 131
- KapitelChapter XI. Louis XV. 142
- KapitelChapter XII. Louis XVI. To the Empire 150
- KapitelChapter XIII. The Lace Manufactures Of France 158
- KapitelChapter XIV. Argentan 173
- KapitelChapter XV. Isle De France. - Paris 180
- KapitelChapter XVI. Normandy 186
- KapitelChapter XVII. Valenciennes 197
- KapitelChapter XVIII. Auvergne And Vélay 211
- KapitelChapter XIX. Limousin 218
- KapitelChapter XX. Holland, Germany, And Switzerland 225
- KapitelChapter XXI. Denmark, Sweden, And Russia 238
- KapitelChapter XXII. England To Queen Elizabeth 251
- KapitelChapter XXIII. Queen Elizabeth 264
- KapitelChapter XXIV. James I. To The Restoration 280
- KapitelChapter XXV. Charles II. To The House Of Hanover 299
- KapitelChapter XXVI. George I. And II. 314
- KapitelChapter XXVII. Smuggling 320
- KapitelChapter XXVIII. George III. 325
- KapitelChapter XXIX. The Lack Manufactures Of England 332
- KapitelChapter XXX. Bedfordshire, Bucklinghamshire, And Northamptonshire 336
- KapitelChapter XXXI. Wiltshire And Dorsetshire 351
- KapitelChapter XXXII. Devonshire 355
- KapitelChapter XXXIII. Scotland 370
- KapitelChapter XXXIV. Lace Manufactures Of Scotland 381
- KapitelChapter XXXV. Ireland 388
- KapitelChapter XXXVI. Bobbin-Net And Machine-Made Lace 395
- KapitelAppendix 405
- RegisterIndex 445
- EinbandEinband -
- Titel
- A history of lace
- Autor
- Links
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Volltext Seite (XML)
100 HISTORY OF LACE. 5. Fonneuse (grondwerkes) is charged with the open work (jours) in the plat. 6. Jointeuse, or attacheuse (lashwerkes), unites the different sections of the ground together. 7. Striqueuse, or appliqueuse (strikes), is charged with the sewing (application) of the flowers upon the ground. The pattern is designed by the head of the manufactory, who, having cut the parchment into pieces, hands it out ready pricked. The worker has no reflections to make, no combinations to study. The whole responsibility rests with the master, who selects the ground, chooses the thread, and alone knows the effect to be produced by the whole. (Coloured Plate Y.) The lace industry of Brussels is now divided into two branches, the making of detached sprigs, either point or pillow, for appli cation upon the net ground, and the modern “ point gaze.” The first is the Brussels lace “ par excellence,” and more of it is pro duced than of any other kind. Of late years, it has been greatly improved, by mixing point and pillow-made flowers. Point gaze is so called from its gauze-like needle ground, “ fond gaze,” com prised of very fine, round meshes, with needle-made flowers, made simultaneously with the ground, by means of the same thread, as in the old Brussels. It is made in small pieces, the joining concealed by small sprigs or leaves, after the manner of the old point, the same lace-worker executing the whole strip from beginning to end. Point gaze is now brought to the highest perfection, and is remarkable for the precision of the work, the variety and richness of the “jours,” and the clearness of the ground. In appearance, it somewhat resembles point d’Alenqon, but the work is less elaborate and less solid. When flowers both of needle point and pillow lace are introduced upon the “fond gaze,” it is erroneously termed “ point de Venise.” Brussels was a favoured lace at the court of the First Empire. 35 When Napoleon and the Empress Marie Louise made their first public entry into the Belgian capital, they gave large orders for albs of the richest point, destined as a present for the Pope. The “ The veil presented by the city of upon the ground. The texture of the Brussels to the Empress Josephine was re'siau was exquisitely flue In each sold in 1816, by Eugene Beauharnais, to corner was the imperial crown and cypher Lady Jane Hamilton. It is described to encircled with wreaths of flowers ' This have been of such ample dimensions chef-d’oeuvre of art passed into the that, when placed on Lady Jane’s head, possession of Lady Jane’s daughter the who was upwards of 6 feet high, it trained Duehesse de Coignv. ° ’
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