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A history of lace
- Titel
- A history of lace
- Autor
- Palliser, Fanny
- Verleger
- Marston
- Searle
- Low
- Erscheinungsort
- London
- Erscheinungsdatum
- 1875
- Umfang
- X, 454 S.
- Sprache
- Englisch
- Signatur
- 75/4694
- Vorlage
- Westsächsische Hochschule Zwickau
- Digitalisat
- SLUB Dresden
- Lizenz-/Rechtehinweis
- CC BY-SA 4.0
- URN
- urn:nbn:de:bsz:14-db-id4470176161
- PURL
- http://digital.slub-dresden.de/id447017616
- OAI-Identifier
- oai:de:slub-dresden:db:id-447017616
- SLUB-Katalog (PPN)
- 447017616
- Sammlungen
- Bestände der Westsächsischen Hochschule Zwickau
- Design
- Historische textiltechnische Fachliteratur
- Ausgabe
- 3. ed.
- Strukturtyp
- Monographie
- Parlamentsperiode
- -
- Wahlperiode
- -
- Titel
- Chapter IV. Italy
- Digitalisat
- SLUB Dresden
- Strukturtyp
- Kapitel
- Parlamentsperiode
- -
- Wahlperiode
- -
Inhaltsverzeichnis
- MonographieA history of lace -
- EinbandEinband -
- AbbildungBarbara Uttmann, who introduced the lace manufacture into the ... -
- TitelblattTitelblatt III
- KapitelPreface V
- KapitelChapter I. Needlework 1
- KapitelChapter II. Cutwork 10
- KapitelChapter III. Lace 21
- KapitelChapter IV. Italy 34
- KapitelChapter V. Greece 65
- KapitelChapter VI. Spain 71
- KapitelChapter VII. Flanders 86
- KapitelChapter VIII. France To Louis XIV. 114
- KapitelChapter IX. Louis XIV. 124
- KapitelChapter X. Louis XIV. (continued) 131
- KapitelChapter XI. Louis XV. 142
- KapitelChapter XII. Louis XVI. To the Empire 150
- KapitelChapter XIII. The Lace Manufactures Of France 158
- KapitelChapter XIV. Argentan 173
- KapitelChapter XV. Isle De France. - Paris 180
- KapitelChapter XVI. Normandy 186
- KapitelChapter XVII. Valenciennes 197
- KapitelChapter XVIII. Auvergne And Vélay 211
- KapitelChapter XIX. Limousin 218
- KapitelChapter XX. Holland, Germany, And Switzerland 225
- KapitelChapter XXI. Denmark, Sweden, And Russia 238
- KapitelChapter XXII. England To Queen Elizabeth 251
- KapitelChapter XXIII. Queen Elizabeth 264
- KapitelChapter XXIV. James I. To The Restoration 280
- KapitelChapter XXV. Charles II. To The House Of Hanover 299
- KapitelChapter XXVI. George I. And II. 314
- KapitelChapter XXVII. Smuggling 320
- KapitelChapter XXVIII. George III. 325
- KapitelChapter XXIX. The Lack Manufactures Of England 332
- KapitelChapter XXX. Bedfordshire, Bucklinghamshire, And Northamptonshire 336
- KapitelChapter XXXI. Wiltshire And Dorsetshire 351
- KapitelChapter XXXII. Devonshire 355
- KapitelChapter XXXIII. Scotland 370
- KapitelChapter XXXIV. Lace Manufactures Of Scotland 381
- KapitelChapter XXXV. Ireland 388
- KapitelChapter XXXVI. Bobbin-Net And Machine-Made Lace 395
- KapitelAppendix 405
- RegisterIndex 445
- EinbandEinband -
- Titel
- A history of lace
- Autor
- Links
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ITALY. 35 The Cavaliere Antonio Merli, in his interesting pamphlet on tahan lace, 4 mentions an account preserved in the municipal archives of Ferrara, dated 1469, as probably referring to lace ; 5 at he more especially brings forward a document of the Sforza aniily, dated 1493, 6 in which the word “ trina ” ! (under its ancient form, “ tarnete ”) constantly occurs, together with bone and bobbin lace. Again, the Florentine poet, Firenzuola, who wrote from 1520 to 1530, composed an elegy upon a collar of raised point, made by the hand of his mistress. See “ Florence.” Cavaliere Merli cites, as the earliest-known painting in which lace occurs, a maiolica disc, after the style of the Della Robbia family, m which, surrounded by a wreath of fruit, is represented he half-figure of a lady, dressed in a rich brocade, with a collar T W iJ* 1 '?.' r ^ iC cos * vume 4S °1 the fifteenth century; but as mZL d ? ‘* bia ’ s desce » d ants worked to a later period, the piecise date of the work cannot be fixed. the nicwTVr WMte . la ? e ’ ” P assein ent, are said to appear in ^ galle17 at Veni0e ’ and in -°ther by Gentile Bellini, where the dress of one of the ladies is trimmed Wlth " WMte kCe - The date 0f this last painting is loOO. We have not seen them. Lace was made throughout Italy mostly by the nuns, and ex- 4 “Origine ed Uso dell Trine a filo di refe” (thread). 1864. Privately printed. J . I *69. lo, Battista de Nicollo, Andrea da Ferrara, debio avere per mia wanifatura et reve per cuxere et candelle per inzirare ... It. per desgramitare e renlare e inzirare e ripezare e reapioare le gramite a camixi quatordece per li signori calonexi, et per li, mansonarij le qual gramite staxea malissimamente, p. che aluune persone le a guaste. Lire 110. It. per reve et p. candelle. L. 0 5.” “ if 69 '—b Baptist de Nicollo, of Andrea a Ferrara, have owing to me for my ma mg, and thread to sew, and candles " W . ' ’ • Hem, for untrimming and rpir.; a ^ lnS i an( * wax * n g an< l repiecingand for n!" S trimmin gs of fourteen albs church r°“ 8 . Md . attcridailt 3 of the verv b’^l i ' V dl trimmings were in a y ad state because some persons had spoiled them. L. I 10. It. for thread and wax. I,. 0 5.” These trimmings (gramite), Cav. Merli thinks, were probably “ trine.” 6 See ” Milan.” Tuna, like our word lace, is used m a general sense for braid or passement. Floris, in his Dictionary (“ A Worlde of Words,” John Floris, London, 1598), gives:— “ Trine,—cuts, snips, pincke worke on garments; and Trinci,—gardings, fring- ings, lacings, &c., or other ornaments of garments.” “ Merlo,” “ merletto,” are the more modern terms for lace. We find the first as early as the poet Firenzuola. (See “ Florence.”) It does not occur in any pattern book of an older date than the “ Fiori da Kicami,” of Pasini, and the two works of Francesco de’ Franeesehi, all printed in 1591. D 2
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