clttl CadtltnfiSie. jQidenien dftfesglidldü^ majs ick durch cirugeZtilen lebhftt erhalten, und,was ich genoßen, wenigftens historisch mitteilen/.TS war dasschönste,rahigSteWetter? einganz, heiterer HimmeL and warme Sonne,, üchging'mit Tischbeinnach dernPetersplatze^wo wir erStaiftundabgehend und,wenn, es ans zuwamv wurde, im Schatten des grossen Obdlsks, der ebenftrzwei breitgenuggewoftenwu^Jpazierten und Tfauberuverzehrten.die wir in der'Tiähegekaiftt hatten/. Goethe, ,,Mit Tischbein in Rom“ (aus der i. Italienischen Reise) auf Pergament geschrieben von Anna Simons, Aquarelle von Sepp Frank, München works with undiminished vigour, teaching both through private instruction and giving twice annualy courses in writing at the former School of Ar ts and Crafts, now the Academy of Applied Art, at Munich. In looking back at her work in the course of the last thirty years, it is certainly true, as was said of her on one occasion, that nearly all German lettering artists of the present day can be regarded as her pupils in one way or another. So distinguished an artist as Peter Behrens, then Director of the Düsseldorf School of Arts and Crafts, who exercised a leading influence on artistic lettering, frankly admitted the valuable suggestions which he owed to his collaboration with Anna Simons; Emil Rudolf Weiß received from her his first lessons in writing,